Stop by Robben Ford’s East Nashville home for a visit and he may treat you to some strongly brewed coffee, point out the view from his living room window where songbirds frequent the feeders on his deck or discuss the finer points of the 1964 Gibson SG guitar conveniently resting near the sofa.
“I was sitting at my desk at my stained glass business, and it just came to me,” he says about the concept for Invisible, the independent documentary about gay women in the Nashville music scene. The film’s first theatrical screening sold out The Belcourt Theatre in February for a one-night fundraiser.
“I don’t remember a specific turning point where I went from being totally Congolese to being mostly American, or where …
